The door to Unit 126 is left slightly ajar, unmarked and without signage, offering no clues about the artwork inside. The corridor, part of a larger complex of studios, is lined with closed doors that obscure the activities taking place within.

The projected animation activates only when someone pauses in the doorway, as if sensing the presence of a curious onlooker. With no formal invitation, it’s unclear whether the viewer is meant to enter at all. This hesitation is intentional—the work draws strength from that brief moment of uncertainty, where the boundary between trespassing and exploration blurs. As the viewer lingers, the animated Kinder egg, perched precariously on the table’s edge, seems to acknowledge their presence. Then, as though capable of turning away, the egg slowly fades from view, leaving the space empty once more.